We have BIG news!
We have officially signed a book deal with our new author Korby Lenker! We are publishing his incredible compilation of short stories, scheduled to release in December 2015-stay tuned for more details!
Here is a little Bio on Korby himself:
Korby Lenker is a sneaky-good songwriter. And singer. And multi-instrumentalist.
An abbreviated list of Lenker's achievements so far includes: a significant amount of airplay on the legendary Seattle indie rock station KEXP; a BBC 2 interview with Bob Harris, which is only about the highest honor a rootsy singer-songwriter touring the U.K. can get; opening slots for acts ranging from Willie Nelson to Ray LaMontagne, Nickel Creek, Keith Urban, Susan Tedeschi and Tristan Prettyman; a successful run with one of the hottest young West Coast bluegrass bands of the aughts; and wins in the Merlefest folk songwriting contest as well as the Kerrville Folk Festival's elite New Folk songwriting competition.
Lenker's composition "My Little Life" brought him the Kerrville honors this year. It doesn't seem possible that one song could work so well in such disparate worlds, but it also proved its powers as a galvanizing piece of indie-pop, drawing a small army of likeminded, rising Nashville artists and personalities-Jeremy Lister and Katie Herzig to name two-to make lip-syncing, ukulele-strumming cameos in Lenker's music video.
Back in high school, Lenker had a cover band that enabled him to try on various alt-rock identities. "We covered 'Under the Bridge,' by Red Hot Chili Peppers," he says, "and I didn't know this at the time, but I listened to it recently and I'm like, 'Whoa, that's Korby trying to sing like Anthony Keidis. And this is Korby trying to sing like Trent Reznor.'"
After that, he got really into transcribing Trey Anastasio guitar solos as part of his music theory studies at Western Washington University. He also spent a semester in West Virginia with only his Martin D-18 acoustic guitar for company.
Here's a bit of insight into the spontaneous spirit that makes Lenker's music so interesting: He picked up a bargain bin copy of the journalistic snake handling memoir Salvation on Sand Mountain, and, with that alone to go on, decided to drive until he found one of the mountain churches mentioned in the book.
Lenker got new perspective, and a song about a snake-handling preacher, from the experience. "I ended up going home with one of the families," he says. "We rode home with the snake in the box in the backseat. And I got to be friends with this kid who was my age-I was 23 at the time, and he was 23. We couldn't have had more different backgrounds. He had an 8th grade education. But we somehow also had a lot in common. We ended up trading letters back and forth for years."
Lenker returned to the Pacific Northwest inspired by his Appalachian adventures and fully immersed himself in the region's bluegrass scene, forming a band called The Barbed Wire Cutters that proved to be an immediate hit in those parts. And he found ways to apply his pop-honed sensibilities to that tradition.
All this time, Lenker was also making solo albums, and that became his primary focus with the folk-leaning Bellingham, which went over wonderfully in the U.K. and landed him on Bob Harris's BBC Radio 4 show. After a move to Seattle, he got the urge to plug in again, hooked up with Candlebox drummer Scott Mercado and made a nimble modern rock record called King of Hearts that got lots of spins on KEXP and a 4 star review in UK mainstay MOJO magazine.
Toward the end of the last decade, Lenker followed his muse down to his present home of Nashville where he's not only continued to hone his own unique artistic voice, but launched a stripped-down series of performance videos dubbed Wigby, spotlighting kindred musical spirits he's found.
Deep down, Lenker is drawn both to the sort of unadorned expression the discerning folkie crowd treasures and to the sort of playful pop embellishment and electronic textures that may land one of his tracks in a primetime T.V. show or film any day now.
And there's nothing at all wrong with having it both ways musically when it comes this naturally. "I can't abandon either one of them," Lenker says, "because they're both so me. One of my favorite musicians in the world, bassist and composer Edgar Meyer once said in an interview 'The boundaries of music have been and always should be limitless.' I couldn't agree more."